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1 @c -*- coding: utf-8; mode: texinfo; -*- | 1 @c -*- coding: utf-8; mode: texinfo; -*- |
2 @ignore | 2 @ignore |
3 Translation of GIT committish: FILL-IN-HEAD-COMMITTISH | 3 Translation of GIT committish: FILL-IN-HEAD-COMMITTISH |
4 | 4 |
5 When revising a translation, copy the HEAD committish of the | 5 When revising a translation, copy the HEAD committish of the |
6 version that you are working on. For details, see the Contributors' | 6 version that you are working on. For details, see the Contributors' |
7 Guide, node Updating translation committishes.. | 7 Guide, node Updating translation committishes.. |
8 @end ignore | 8 @end ignore |
9 | 9 |
10 @c \version "2.17.5" | 10 @c \version "2.17.6" |
11 | 11 |
12 | 12 |
13 @node Chord notation | 13 @node Chord notation |
14 @section Chord notation | 14 @section Chord notation |
15 | 15 |
16 @lilypondfile[quote]{chords-headword.ly} | 16 @lilypondfile[quote]{chords-headword.ly} |
17 | 17 |
18 Chords can be entered either as normal notes or in chord mode and displayed | 18 Chords can be entered either as normal notes or in chord mode and displayed |
19 using a variety of traditional European chord naming conventions. Chord | 19 using a variety of traditional European chord naming conventions. Chord |
20 names and figured bass notation can also be displayed. | 20 names and figured bass notation can also be displayed. |
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161 @tab | 161 @tab |
162 @b{Example} | 162 @b{Example} |
163 | 163 |
164 @item | 164 @item |
165 None | 165 None |
166 @tab | 166 @tab |
167 The default action; produces a major triad. | 167 The default action; produces a major triad. |
168 @tab | 168 @tab |
169 @lilypond[line-width=4\cm, noragged-right] | 169 @lilypond[line-width=4\cm, noragged-right] |
170 \chordmode { | 170 \chordmode { |
171 \override Staff.TimeSignature stencil = ##f | 171 \override Staff.TimeSignature.stencil = ##f |
172 c1 | 172 c1 |
173 } | 173 } |
174 @end lilypond | 174 @end lilypond |
175 | 175 |
176 @item | 176 @item |
177 m, m7 | 177 m, m7 |
178 @tab | 178 @tab |
179 The minor chord. This modifier lowers the 3rd. | 179 The minor chord. This modifier lowers the 3rd. |
180 @tab | 180 @tab |
181 @lilypond[line-width=4\cm, noragged-right] | 181 @lilypond[line-width=4\cm, noragged-right] |
182 \chordmode { | 182 \chordmode { |
183 \override Staff.TimeSignature stencil = ##f | 183 \override Staff.TimeSignature.stencil = ##f |
184 c1:m c:m7 | 184 c1:m c:m7 |
185 } | 185 } |
186 @end lilypond | 186 @end lilypond |
187 | 187 |
188 | 188 |
189 @item | 189 @item |
190 dim, dim7 | 190 dim, dim7 |
191 @tab | 191 @tab |
192 The diminished chord. This modifier lowers the 3rd, 5th and (if | 192 The diminished chord. This modifier lowers the 3rd, 5th and (if |
193 present) the 7th step. | 193 present) the 7th step. |
194 @tab | 194 @tab |
195 @lilypond[line-width=4\cm, noragged-right] | 195 @lilypond[line-width=4\cm, noragged-right] |
196 \chordmode { | 196 \chordmode { |
197 \override Staff.TimeSignature stencil = ##f | 197 \override Staff.TimeSignature.stencil = ##f |
198 c1:dim c:dim7 | 198 c1:dim c:dim7 |
199 } | 199 } |
200 @end lilypond | 200 @end lilypond |
201 | 201 |
202 @item | 202 @item |
203 aug | 203 aug |
204 @tab | 204 @tab |
205 The augmented chord. This modifier raises the 5th step. | 205 The augmented chord. This modifier raises the 5th step. |
206 @tab | 206 @tab |
207 @lilypond[line-width=4\cm, noragged-right] | 207 @lilypond[line-width=4\cm, noragged-right] |
208 \chordmode { | 208 \chordmode { |
209 \override Staff.TimeSignature stencil = ##f | 209 \override Staff.TimeSignature.stencil = ##f |
210 c1:aug | 210 c1:aug |
211 } | 211 } |
212 @end lilypond | 212 @end lilypond |
213 | 213 |
214 @item | 214 @item |
215 maj, maj7 | 215 maj, maj7 |
216 @tab | 216 @tab |
217 The major 7th chord. This modifier adds a raised 7th step. The | 217 The major 7th chord. This modifier adds a raised 7th step. The |
218 @code{7} following @code{maj} is optional. Do NOT use this modifier | 218 @code{7} following @code{maj} is optional. Do NOT use this modifier |
219 to create a major triad. | 219 to create a major triad. |
220 @tab | 220 @tab |
221 @lilypond[line-width=4\cm, noragged-right] | 221 @lilypond[line-width=4\cm, noragged-right] |
222 \chordmode { | 222 \chordmode { |
223 \override Staff.TimeSignature stencil = ##f | 223 \override Staff.TimeSignature.stencil = ##f |
224 c1:maj c:maj7 | 224 c1:maj c:maj7 |
225 } | 225 } |
226 @end lilypond | 226 @end lilypond |
227 | 227 |
228 @end multitable | 228 @end multitable |
229 | 229 |
230 @seealso | 230 @seealso |
231 Notation Reference: | 231 Notation Reference: |
232 @ref{Common chord modifiers}, | 232 @ref{Common chord modifiers}, |
233 @ref{Extended and altered chords}. | 233 @ref{Extended and altered chords}. |
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1183 << | 1183 << |
1184 { fis4 g g, e' } | 1184 { fis4 g g, e' } |
1185 \figures { | 1185 \figures { |
1186 <6 5>4 <5 4> | 1186 <6 5>4 <5 4> |
1187 \bassFigureExtendersOn | 1187 \bassFigureExtendersOn |
1188 < 5 _!>4 <6> | 1188 < 5 _!>4 <6> |
1189 \bassFigureExtendersOff | 1189 \bassFigureExtendersOff |
1190 } | 1190 } |
1191 >> | 1191 >> |
1192 @end lilypond | 1192 @end lilypond |
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