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Delta Between Two Patch Sets: Documentation/notation/chords.itely

Issue 6635050: Make arguments like Context.GrobName accessible as symbol lists (Closed) Base URL: http://git.savannah.gnu.org/gitweb/?p=lilypond.git/trunk/
Left Patch Set: Fix a few bugs, modify \tweak syntax, demonstrate high impact conversion Created 12 years, 5 months ago
Right Patch Set: Allow \override Accidental.color = #red (dot between grob and property) Created 12 years, 5 months ago
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1 @c -*- coding: utf-8; mode: texinfo; -*- 1 @c -*- coding: utf-8; mode: texinfo; -*-
2 @ignore 2 @ignore
3 Translation of GIT committish: FILL-IN-HEAD-COMMITTISH 3 Translation of GIT committish: FILL-IN-HEAD-COMMITTISH
4 4
5 When revising a translation, copy the HEAD committish of the 5 When revising a translation, copy the HEAD committish of the
6 version that you are working on. For details, see the Contributors' 6 version that you are working on. For details, see the Contributors'
7 Guide, node Updating translation committishes.. 7 Guide, node Updating translation committishes..
8 @end ignore 8 @end ignore
9 9
10 @c \version "2.17.5" 10 @c \version "2.17.6"
11 11
12 12
13 @node Chord notation 13 @node Chord notation
14 @section Chord notation 14 @section Chord notation
15 15
16 @lilypondfile[quote]{chords-headword.ly} 16 @lilypondfile[quote]{chords-headword.ly}
17 17
18 Chords can be entered either as normal notes or in chord mode and displayed 18 Chords can be entered either as normal notes or in chord mode and displayed
19 using a variety of traditional European chord naming conventions. Chord 19 using a variety of traditional European chord naming conventions. Chord
20 names and figured bass notation can also be displayed. 20 names and figured bass notation can also be displayed.
(...skipping 140 matching lines...) Expand 10 before | Expand all | Expand 10 after
161 @tab 161 @tab
162 @b{Example} 162 @b{Example}
163 163
164 @item 164 @item
165 None 165 None
166 @tab 166 @tab
167 The default action; produces a major triad. 167 The default action; produces a major triad.
168 @tab 168 @tab
169 @lilypond[line-width=4\cm, noragged-right] 169 @lilypond[line-width=4\cm, noragged-right]
170 \chordmode { 170 \chordmode {
171 \override Staff.TimeSignature stencil = ##f 171 \override Staff.TimeSignature.stencil = ##f
172 c1 172 c1
173 } 173 }
174 @end lilypond 174 @end lilypond
175 175
176 @item 176 @item
177 m, m7 177 m, m7
178 @tab 178 @tab
179 The minor chord. This modifier lowers the 3rd. 179 The minor chord. This modifier lowers the 3rd.
180 @tab 180 @tab
181 @lilypond[line-width=4\cm, noragged-right] 181 @lilypond[line-width=4\cm, noragged-right]
182 \chordmode { 182 \chordmode {
183 \override Staff.TimeSignature stencil = ##f 183 \override Staff.TimeSignature.stencil = ##f
184 c1:m c:m7 184 c1:m c:m7
185 } 185 }
186 @end lilypond 186 @end lilypond
187 187
188 188
189 @item 189 @item
190 dim, dim7 190 dim, dim7
191 @tab 191 @tab
192 The diminished chord. This modifier lowers the 3rd, 5th and (if 192 The diminished chord. This modifier lowers the 3rd, 5th and (if
193 present) the 7th step. 193 present) the 7th step.
194 @tab 194 @tab
195 @lilypond[line-width=4\cm, noragged-right] 195 @lilypond[line-width=4\cm, noragged-right]
196 \chordmode { 196 \chordmode {
197 \override Staff.TimeSignature stencil = ##f 197 \override Staff.TimeSignature.stencil = ##f
198 c1:dim c:dim7 198 c1:dim c:dim7
199 } 199 }
200 @end lilypond 200 @end lilypond
201 201
202 @item 202 @item
203 aug 203 aug
204 @tab 204 @tab
205 The augmented chord. This modifier raises the 5th step. 205 The augmented chord. This modifier raises the 5th step.
206 @tab 206 @tab
207 @lilypond[line-width=4\cm, noragged-right] 207 @lilypond[line-width=4\cm, noragged-right]
208 \chordmode { 208 \chordmode {
209 \override Staff.TimeSignature stencil = ##f 209 \override Staff.TimeSignature.stencil = ##f
210 c1:aug 210 c1:aug
211 } 211 }
212 @end lilypond 212 @end lilypond
213 213
214 @item 214 @item
215 maj, maj7 215 maj, maj7
216 @tab 216 @tab
217 The major 7th chord. This modifier adds a raised 7th step. The 217 The major 7th chord. This modifier adds a raised 7th step. The
218 @code{7} following @code{maj} is optional. Do NOT use this modifier 218 @code{7} following @code{maj} is optional. Do NOT use this modifier
219 to create a major triad. 219 to create a major triad.
220 @tab 220 @tab
221 @lilypond[line-width=4\cm, noragged-right] 221 @lilypond[line-width=4\cm, noragged-right]
222 \chordmode { 222 \chordmode {
223 \override Staff.TimeSignature stencil = ##f 223 \override Staff.TimeSignature.stencil = ##f
224 c1:maj c:maj7 224 c1:maj c:maj7
225 } 225 }
226 @end lilypond 226 @end lilypond
227 227
228 @end multitable 228 @end multitable
229 229
230 @seealso 230 @seealso
231 Notation Reference: 231 Notation Reference:
232 @ref{Common chord modifiers}, 232 @ref{Common chord modifiers},
233 @ref{Extended and altered chords}. 233 @ref{Extended and altered chords}.
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1183 << 1183 <<
1184 { fis4 g g, e' } 1184 { fis4 g g, e' }
1185 \figures { 1185 \figures {
1186 <6 5>4 <5 4> 1186 <6 5>4 <5 4>
1187 \bassFigureExtendersOn 1187 \bassFigureExtendersOn
1188 < 5 _!>4 <6> 1188 < 5 _!>4 <6>
1189 \bassFigureExtendersOff 1189 \bassFigureExtendersOff
1190 } 1190 }
1191 >> 1191 >>
1192 @end lilypond 1192 @end lilypond
LEFTRIGHT

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