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1 @c -*- coding: utf-8; mode: texinfo; -*- | 1 @c -*- coding: utf-8; mode: texinfo; -*- |
2 @ignore | 2 @ignore |
3 Translation of GIT committish: FILL-IN-HEAD-COMMITTISH | 3 Translation of GIT committish: FILL-IN-HEAD-COMMITTISH |
4 | 4 |
5 When revising a translation, copy the HEAD committish of the | 5 When revising a translation, copy the HEAD committish of the |
6 version that you are working on. For details, see the Contributors' | 6 version that you are working on. For details, see the Contributors' |
7 Guide, node Updating translation committishes.. | 7 Guide, node Updating translation committishes.. |
8 @end ignore | 8 @end ignore |
9 | 9 |
10 @c \version "2.16.0" | 10 @c \version "2.17.6" |
11 | 11 |
12 @node Keyboard and other multi-staff instruments | 12 @node Keyboard and other multi-staff instruments |
13 @section Keyboard and other multi-staff instruments | 13 @section Keyboard and other multi-staff instruments |
14 | 14 |
15 @lilypondfile[quote]{keyboard-headword.ly} | 15 @lilypondfile[quote]{keyboard-headword.ly} |
16 | 16 |
17 This section discusses several aspects of music notation that are | 17 This section discusses several aspects of music notation that are |
18 unique to keyboard instruments and other instruments notated on | 18 unique to keyboard instruments and other instruments notated on |
19 many staves, such as harps and vibraphones. For the purposes of | 19 many staves, such as harps and vibraphones. For the purposes of |
20 this section this entire group of multi-staff instruments is called | 20 this section this entire group of multi-staff instruments is called |
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199 @cindex cross-staff collisions | 199 @cindex cross-staff collisions |
200 @cindex collisions, cross-staff voices | 200 @cindex collisions, cross-staff voices |
201 | 201 |
202 Overlapping notation can result when voices cross staves: | 202 Overlapping notation can result when voices cross staves: |
203 | 203 |
204 @lilypond[verbatim,quote] | 204 @lilypond[verbatim,quote] |
205 \new PianoStaff << | 205 \new PianoStaff << |
206 \new Staff = "up" { | 206 \new Staff = "up" { |
207 \voiceOne | 207 \voiceOne |
208 % Make space for fingering in the cross-staff voice | 208 % Make space for fingering in the cross-staff voice |
209 \once\override DynamicLineSpanner #'staff-padding = #3.4 | 209 \once\override DynamicLineSpanner.staff-padding = #3.4 |
210 e''2\p\< d''\> | 210 e''2\p\< d''\> |
211 c''1\! | 211 c''1\! |
212 } | 212 } |
213 \new Staff = "down" << | 213 \new Staff = "down" << |
214 { | 214 { |
215 \clef bass | 215 \clef bass |
216 s4. e,8\rest g,2\rest | 216 s4. e,8\rest g,2\rest |
217 c1 | 217 c1 |
218 } \\ { | 218 } \\ { |
219 c8\( g c' | 219 c8\( g c' |
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660 The @code{\harp-pedal} command accepts a string of characters, where | 660 The @code{\harp-pedal} command accepts a string of characters, where |
661 @code{^} is the highest pedal position (flattened pitch), @code{-} is | 661 @code{^} is the highest pedal position (flattened pitch), @code{-} is |
662 the middle pedal position (natural pitch), @code{v} is the lowest pedal | 662 the middle pedal position (natural pitch), @code{v} is the lowest pedal |
663 position (sharpened pitch), and @code{|} is the divider. A prefixed | 663 position (sharpened pitch), and @code{|} is the divider. A prefixed |
664 @code{o} will circle the following pedal symbol. | 664 @code{o} will circle the following pedal symbol. |
665 | 665 |
666 @seealso | 666 @seealso |
667 Notation Reference: | 667 Notation Reference: |
668 @ref{Text scripts}, | 668 @ref{Text scripts}, |
669 @ref{Instrument Specific Markup}. | 669 @ref{Instrument Specific Markup}. |
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