bar-line interface part 2/2: New bar line definition standard

Documentation/de/notation/ancient.itely

 @c -*- coding: utf-8; mode: texinfo; documentlanguage: de -*-
 
 @ignore
     Translation of GIT committish: 06f227dd80f3a30cbf33c879b7c125079dfaf5c3
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.16.0"
+@c \version "2.17.5"
 
 @c Translators: Till Paala
 
 @node Notation von alter Musik
 @section Notation von alter Musik
 @translationof Ancient notation
 
 @lilypondfile[quote]{ancient-headword.ly}
 
 @cindex Vaticana, Editio
@@ skipping 959 matching lines @@
 zwei Quadrate oder eine Obliqua (Flexa) dargestellt werden.  In derartigen
 Fällen ist die Quadratform der Standard, aber die Obliqua kann verlangt
 werden, indem man die @code{ligature-flexa}-Eigenschaft des @emph{zweiten}
 Notenkopfes setzt.  Die Länge der Obliqua kann durch die Notenkopfeigenschaft
 @code{flexa-width} definiert werden.
 
 Eine Datei kann zum Beispiel so aussehen:
 
 @c @example
 @c \set Score.timing = ##f
-@c \set Score.defaultBarType = "empty"
+@c \set Score.defaultBarType = "-"
 @c \override NoteHead #'style = #'neomensural
 @c \override Staff.TimeSignature #'style = #'neomensural
 @c \clef "petrucci-g"
 @c \[ c'\maxima g \]
 @c \[ d\longa c\breve f e d \]
 @c \[ c'\maxima d'\longa \]
 @c \[ e'1 a g\breve \]
 @c @end example
 @lilypond[quote,ragged-right,verbatim]
 \score {
   \transpose c c' {
     \set Score.timing = ##f
-    \set Score.defaultBarType = "empty"
+    \set Score.defaultBarType = "-"
     \override NoteHead #'style = #'petrucci
     \override Staff.TimeSignature #'style = #'mensural
     \clef "petrucci-g"
     \[ c'\maxima g \]
     \[ d\longa
        \override NoteHead #'ligature-flexa = ##t
        \once \override NoteHead #'flexa-width = #3.2
        c\breve f e d \]
     \[ c'\maxima d'\longa \]
     \[ e'1 a g\breve \]
   }
   \layout {
     \context {
       \Voice
       \remove "Ligature_bracket_engraver"
       \consists "Mensural_ligature_engraver"
     }
   }
 }
 @end lilypond
 
 Wenn der @code{Ligature_bracket_engraver} nicht durch den
 @code{Mensural_ligature_engraver} ersetzt wird, werden die Noten
 wie folgt ausgegeben:
 
 @lilypond[quote,ragged-right]
 \transpose c c' {
   \set Score.timing = ##f
-  \set Score.defaultBarType = "empty"
+  \set Score.defaultBarType = "-"
   \override NoteHead #'style = #'neomensural
   \override Staff.TimeSignature #'style = #'neomensural
   \clef "petrucci-g"
   \[ c'\maxima g \]
   \[ d\longa c\breve f e d \]
   \[ c'\maxima d'\longa \]
   \[ e'1 a g\breve \]
 }
 @end lilypond
 
@@ skipping 1757 matching lines @@
 @c TODO Add example of this:
 @c I was referring to e.g. notated a8. a16, which should, if I
 @c remember correctly, be interpreted more like a8.. a32 (in the french
 @c style).  The editor might want to show that rythmic figure above the
 @c staff as an hint to performers.  (Karl Hammer)