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1 \input texinfo @c -*- coding: utf-8; mode: texinfo; -*- | 1 \input texinfo @c -*- coding: utf-8; mode: texinfo; -*- |
2 @setfilename lilypond-changes.info | 2 @setfilename lilypond-changes.info |
3 @settitle LilyPond Changes | 3 @settitle LilyPond Changes |
4 | 4 |
5 @include macros.itexi | 5 @include macros.itexi |
6 | 6 |
7 @ifhtml | 7 @ifhtml |
8 @macro inputfileref{DIR,NAME} | 8 @macro inputfileref{DIR,NAME} |
9 @uref{../../\DIR\/collated-files.html#\NAME\,@file{\DIR\/\NAME\}}@c | 9 @uref{../../\DIR\/collated-files.html#\NAME\,@file{\DIR\/\NAME\}}@c |
10 @end macro | 10 @end macro |
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53 * try to be as brief possible in those cases | 53 * try to be as brief possible in those cases |
54 | 54 |
55 * don't try to provide real-world examples, they often get too big, | 55 * don't try to provide real-world examples, they often get too big, |
56 which scares away people. | 56 which scares away people. |
57 | 57 |
58 * Write complete sentences. | 58 * Write complete sentences. |
59 | 59 |
60 * only show user-visible changes. | 60 * only show user-visible changes. |
61 | 61 |
62 @end ignore | 62 @end ignore |
| 63 |
| 64 @item |
| 65 When outputting MIDI, LilyPond will now store the @code{title} |
| 66 defined in a score's @code{\header} block (or, if there is no |
| 67 such definition on the @code{\score} level, the first such |
| 68 definition found in a @code{\header} block of the score's |
| 69 enclosing @code{\bookpart}, @code{\book}, or top-level scope) |
| 70 as the name of the MIDI sequence in the MIDI file. Optionally, |
| 71 the name of the MIDI sequence can be overridden using the new |
| 72 @code{midititle} @code{\header} field independently of |
| 73 @code{title} (for example, in case @code{title} contains markup |
| 74 code which does not render as plain text in a satisfactory way |
| 75 automatically). |
63 | 76 |
64 @item | 77 @item |
65 Music (and scheme and void) functions and markup commands that | 78 Music (and scheme and void) functions and markup commands that |
66 just supply the final parameters to a chain of overrides, music | 79 just supply the final parameters to a chain of overrides, music |
67 function and markup command calls can now be defined in the form | 80 function and markup command calls can now be defined in the form |
68 of just writing the expression cut short with @code{\etc}. | 81 of just writing the expression cut short with @code{\etc}. |
69 | 82 |
70 @lilypond[verbatim,quote] | 83 @lilypond[verbatim,quote] |
71 bold-red-markup = \markup \bold \with-color #red \etc | 84 bold-red-markup = \markup \bold \with-color #red \etc |
72 highlight = \tweak font-size 3 \tweak color #red \etc | 85 highlight = \tweak font-size 3 \tweak color #red \etc |
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663 @ifhtml | 676 @ifhtml |
664 For older news, go to | 677 For older news, go to |
665 @uref{http://lilypond.org/doc/v2.18/Documentation/changes/}, | 678 @uref{http://lilypond.org/doc/v2.18/Documentation/changes/}, |
666 @uref{http://lilypond.org/doc/v2.16/Documentation/changes/}, | 679 @uref{http://lilypond.org/doc/v2.16/Documentation/changes/}, |
667 or @uref{../,go back} to the Documentation index. | 680 or @uref{../,go back} to the Documentation index. |
668 | 681 |
669 | 682 |
670 @end ifhtml | 683 @end ifhtml |
671 | 684 |
672 @bye | 685 @bye |
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