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1 \header { | 1 \header { |
2 title = "Sängers Morgenlied" | 2 title = "Sängers Morgenlied" |
3 composer = "Franz Schubert (1797-1828)" | 3 composer = "Franz Schubert (1797-1828)" |
4 date = "27. Februar 1815" | 4 date = "27. Februar 1815" |
5 source = "Edition Peters" | 5 source = "Edition Peters" |
6 editor = "Paul Losse" | 6 editor = "Paul Losse" |
7 enteredby="Han-Wen Nienhuys" | 7 enteredby="Han-Wen Nienhuys" |
8 maintainer="hanwen@xs4all.nl" | 8 maintainer="hanwen@xs4all.nl" |
9 | 9 |
10 texidoc = "The source is a rather tightly set Peters in Edition is | 10 texidoc = "The source is a rather tightly set Peters in Edition is |
11 a heavy font. The Peters edition (4622c) was `herausgegeben' by | 11 a heavy font. The Peters edition (4622c) was `herausgegeben' by |
12 Paul Losse, whose name also appears on a 1956 edition of some | 12 Paul Losse, whose name also appears on a 1956 edition of some |
13 other music. Strictly speaking, his edititorial enhancements will | 13 other music. Strictly speaking, his edititorial enhancements will |
14 not be in the PD - but I am assuming there are no notable ones in | 14 not be in the PD - but I am assuming there are no notable ones in |
15 this small piece. | 15 this small piece. |
16 | 16 |
17 The original compresses the entire music onto a single page, in 4 | 17 The original compresses the entire music onto a single page, in 4 |
18 systems. Lily does so too if you tune down spacing-increment, but | 18 systems. Lily does so too if you tune down spacing-increment, but |
19 chooses line breaks differently. | 19 chooses line breaks differently. |
20 | 20 |
21 Further manual tweaks: the slur in measure 12 has been flattened | 21 Further manual tweaks: the slur in measure 12 has been flattened |
22 manually. The beam in measure 3, left-hand, technically is wrong, but | 22 manually. The beam in measure 3, left-hand, technically is wrong, but |
23 has been added following the original. The crescendo in measure 4 has | 23 has been added following the original. The crescendo in measure 4 has |
24 been lowered | 24 been lowered |
25 | 25 |
26 " | 26 " |
27 | 27 |
28 } | 28 } |
29 | 29 |
30 \version "2.14.0" | 30 \version "2.15.18" |
31 manuscriptBreak = { \break } | 31 manuscriptBreak = { \break } |
32 | 32 |
33 | 33 |
34 | 34 |
35 #(set-global-staff-size (/ (* 5.8 72.27) 25.4)) | 35 #(set-global-staff-size (/ (* 5.8 72.27) 25.4)) |
36 | 36 |
37 \paper { | 37 \paper { |
38 %#(set-global-staff-size (* 5.8 mm)) | 38 %#(set-global-staff-size (* 5.8 mm)) |
39 line-width = #(* mm 160) | 39 line-width = #(* mm 160) |
40 indent = 8\mm | 40 indent = 8\mm |
(...skipping 58 matching lines...) Expand 10 before | Expand all | Expand 10 after Loading... |
99 secondVerse = \lyricmode { | 99 secondVerse = \lyricmode { |
100 \set stanza = "2." | 100 \set stanza = "2." |
101 Ach, der Lie -- be sanf | 101 Ach, der Lie -- be sanf |
102 -- tes We -- hen schwellt mir | | 102 -- tes We -- hen schwellt mir | |
103 das be -- weg -- te __ Herz, sanft, wie ein ge -- lieb -- ter Schmerz. __ Dü
rft ich |· | 103 das be -- weg -- te __ Herz, sanft, wie ein ge -- lieb -- ter Schmerz. __ Dü
rft ich |· |
104 nur auf gold -- nen Hö -- hen mich im Mor -- gen -- duft er -- ge -- hen! Se
hn -- sucht | | 104 nur auf gold -- nen Hö -- hen mich im Mor -- gen -- duft er -- ge -- hen! Se
hn -- sucht | |
105 zieht mich him -- mel -- wärts, Sehn -- sucht zieht mich him -- mel -- wärts
. | 105 zieht mich him -- mel -- wärts, Sehn -- sucht zieht mich him -- mel -- wärts
. |
106 } | 106 } |
107 | 107 |
108 pianoRH = \relative c''' \repeat volta 2 { | 108 pianoRH = \relative c''' \repeat volta 2 { |
109 #(set-accidental-style 'modern) | 109 $(set-accidental-style 'modern) |
110 g16(_\p fis a g fis g f e d c b a ) |· | 110 g16(_\p fis a g fis g f e d c b a ) |· |
111 <g e>8( <es fis a> <d f b> <c e c'>) r8 r |· | 111 <g e>8( <es fis a> <d f b> <c e c'>) r8 r |· |
112 r8 c'( e,) f r a | | 112 r8 c'( e,) f r a | |
113 \once \override DynamicLineSpanner #'padding =#3 | 113 \once \override DynamicLineSpanner #'padding =#3 |
114 r8 << { s8 s8 } << { fis(\> g)\! | 114 r8 << { s8 s8 } << { fis(\> g)\! |
115 } \\ { c,4 } >> >> r8 <e c g> <e c g> | | 115 } \\ { c,4 } >> >> r8 <e c g> <e c g> | |
116 <d c a>4. r8 \clef bass <d b f> <d b f> | | 116 <d c a>4. r8 \clef bass <d b f> <d b f> | |
117 e,16_" "_\markup { \bold\italic cresc. } g c g e g d gis b gis d gis | | 117 e,16_" "_\markup { \bold\italic cresc. } g c g e g d gis b gis d gis | |
118 c, e a e c e a,-\f d fis d a d | | 118 c, e a e c e a,-\f d fis d a d | |
119 b d g d b g r4\fermata \clef treble g''8 | | 119 b d g d b g r4\fermata \clef treble g''8 | |
120 as4.( g 4.) | fis4. r4 <d g>8 ( | | 120 as4.( g 4.) | fis4. r4 <d g>8 ( | |
121 <f a>4.) <e g>4.( <es fis> ) <d f>\sf | | 121 <f a>4.) <e g>4.( <es fis> ) <d f>\sf | |
122 r8 <e c g> <e c g> r <d b g > <d b g> | | 122 r8 <e c g> <e c g> r <d b g > <d b g> | |
123 r <e c g> <e c g> r <f d b g> <f d b g> | | 123 r <e c g> <e c g> r <f d b g> <f d b g> | |
124 r <e c g> <e c g> r <d b f> <d b f> | | 124 r <e c g> <e c g> r <d b f> <d b f> | |
125 c16(_\f b c e g b c b c e g <e b'>) | | 125 c16(_\f b c e g b c b c e g <e b'>) | |
126 <c c'>8 r r <c, g e>8 r r\fermata |·· | 126 <c c'>8 r r <c, g e>8 r r\fermata |·· |
127 } | 127 } |
128 | 128 |
129 pianoLH = \relative c'' \repeat volta 2 { | 129 pianoLH = \relative c'' \repeat volta 2 { |
130 #(set-accidental-style 'modern) | 130 $(set-accidental-style 'modern) |
131 g16( fis a g fis g f e d c b a) |· | 131 g16( fis a g fis g f e d c b a) |· |
132 \clef bass g4.( c,8) r r | 132 \clef bass g4.( c,8) r r |
133 \clef treble r4 <bes' c>8([ <a c>)] r <f c'> | | 133 \clef treble r4 <bes' c>8([ <a c>)] r <f c'> | |
134 \clef bass r8 dis( e) r c c | | 134 \clef bass r8 dis( e) r c c | |
135 f,4. r8 g g | | 135 f,4. r8 g g | |
136 <c, c,>4. <e e,>4. | | 136 <c, c,>4. <e e,>4. | |
137 a,4. <d d,>4. | | 137 a,4. <d d,>4. | |
138 g,8 r r g16 r16\fermata r8 g''8 | | 138 g,8 r r g16 r16\fermata r8 g''8 | |
139 as4.( g ) | | 139 as4.( g ) | |
140 fis r4 <g b>8( | | 140 fis r4 <g b>8( | |
141 <f c'>4.) | 141 <f c'>4.) |
142 | 142 |
143 \once \override Slur #'height-limit = #1.0 | 143 \once \override Slur #'height-limit = #1.0 |
144 | 144 |
145 <g c>4.( | <a c>4.) <g b,> | | 145 <g c>4.( | <a c>4.) <g b,> | |
146 c,4 r8 g4 r8 | | 146 c,4 r8 g4 r8 | |
147 c4 r8 g4 r8 | | 147 c4 r8 g4 r8 | |
148 c4 r8 g4 r8 | | 148 c4 r8 g4 r8 | |
149 <c g e c>8 <c e g> <c e g> <c e g> <c e g> <c e g> | | 149 <c g e c>8 <c e g> <c e g> <c e g> <c e g> <c e g> | |
150 <c e g> r r <c, c,>8 r r\fermata \clef treble | 150 <c e g> r r <c, c,>8 r r\fermata \clef treble |
151 } | 151 } |
152 | 152 |
153 \book { | 153 \book { |
154 \score { | 154 \score { |
155 << \time 6/8 | 155 << \time 6/8 |
156 \new Staff << | 156 \new Staff << |
157 » \context Staff #(set-accidental-style 'modern) | 157 » \context Staff $(set-accidental-style 'modern) |
158 \melody >> | 158 \melody >> |
159 \lyricsto "singer" \new Lyrics \firstVerse | 159 \lyricsto "singer" \new Lyrics \firstVerse |
160 \lyricsto "singer" \new Lyrics \secondVerse | 160 \lyricsto "singer" \new Lyrics \secondVerse |
161 \new PianoStaff <<· | 161 \new PianoStaff <<· |
162 \set PianoStaff.instrumentName = \markup { | 162 \set PianoStaff.instrumentName = \markup { |
163 \bold | 163 \bold |
164 \larger\larger\larger\larger \huge "2. " } | 164 \larger\larger\larger\larger \huge "2. " } |
165 \new Staff \pianoRH | 165 \new Staff \pianoRH |
166 \new Staff \pianoLH | 166 \new Staff \pianoLH |
167 >>· | 167 >>· |
(...skipping 13 matching lines...) Expand all Loading... |
181 } | 181 } |
182 \midi { | 182 \midi { |
183 \context { | 183 \context { |
184 \Score | 184 \Score |
185 tempoWholesPerMinute = #(ly:make-moment 70 4) | 185 tempoWholesPerMinute = #(ly:make-moment 70 4) |
186 } | 186 } |
187 } | 187 } |
188 } | 188 } |
189 } | 189 } |
190 | 190 |
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