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1 @c -*- coding: utf-8; mode: texinfo; -*- | 1 @c -*- coding: utf-8; mode: texinfo; -*- |
2 @ignore | 2 @ignore |
3 Translation of GIT committish: FILL-IN-HEAD-COMMITTISH | 3 Translation of GIT committish: FILL-IN-HEAD-COMMITTISH |
4 | 4 |
5 When revising a translation, copy the HEAD committish of the | 5 When revising a translation, copy the HEAD committish of the |
6 version that you are working on. For details, see the Contributors' | 6 version that you are working on. For details, see the Contributors' |
7 Guide, node Updating translation committishes.. | 7 Guide, node Updating translation committishes.. |
8 @end ignore | 8 @end ignore |
9 | 9 |
10 @c \version "2.19.28" | 10 @c \version "2.19.28" |
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669 } | 669 } |
670 @end lilypond | 670 @end lilypond |
671 | 671 |
672 @funindex chordNameExceptions | 672 @funindex chordNameExceptions |
673 | 673 |
674 @item chordNameExceptions | 674 @item chordNameExceptions |
675 | 675 |
676 This property is a list of pairs used to map chords to markups. | 676 This property is a list of pairs used to map chords to markups. |
677 The first item in each pair identifies the chord. When the chord | 677 The first item in each pair identifies the chord. When the chord |
678 is entered in chord mode, this item is a list of semantics which | 678 is entered in chord mode, this item is a list of semantics which |
679 represent the structure of the chord. When entered in node mode, | 679 represent the structure of the chord. When entered in node mode, |
680 this item is a set of pitches used to identify the steps present | 680 this item is a set of pitches used to identify the steps present |
681 in the chord. The second item is a markup that will follow the | 681 in the chord. The second item is a markup that will follow the |
682 @code{chordRootNamer} output to create the chord name. | 682 @code{chordRootNamer} output to create the chord name. |
683 | 683 |
684 @funindex minorChordModifier | 684 @funindex minorChordModifier |
685 | 685 |
686 @item minorChordModifier | 686 @item minorChordModifier |
687 | 687 |
688 Minor chords are often denoted via a @q{m} suffix to the right of the | 688 Minor chords are often denoted via a @q{m} suffix to the right of the |
689 root of the chord. However some idioms prefer other suffices, such as | 689 root of the chord. However some idioms prefer other suffices, such as |
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747 | 747 |
748 @seealso | 748 @seealso |
749 Notation Reference: | 749 Notation Reference: |
750 @ref{Chord name chart}, | 750 @ref{Chord name chart}, |
751 @ref{Common chord modifiers}. | 751 @ref{Common chord modifiers}. |
752 | 752 |
753 Essay on automated music engraving: | 753 Essay on automated music engraving: |
754 @ressay{Literature list}. | 754 @ressay{Literature list}. |
755 | 755 |
756 Installed Files: | 756 Installed Files: |
757 @file{scm/chords-ignatzek.scm}, | 757 @file{scm/chords-ignatzek-names.scm}, |
758 @file{scm/chord-entry.scm}, | 758 @file{scm/chord-entry.scm}, |
759 @file{ly/chord-modifier-init.ly}. | 759 @file{ly/chord-modifiers-init.ly}. |
760 | 760 |
761 Snippets: | 761 Snippets: |
762 @rlsr{Chords}. | 762 @rlsr{Chords}. |
763 | 763 |
764 @knownissues | 764 @knownissues |
765 Chord names are determined from both the pitches that are present | 765 Chord names are determined from both the pitches that are present |
766 in the chord and the information on the chord structure that may | 766 in the chord and the information on the chord structure that may |
767 have been entered in @code{\chordmode}. If the simultaneous pitches | 767 have been entered in @code{\chordmode}. If the simultaneous pitches |
768 method of entering chords is used, undesired names result from | 768 method of entering chords is used, undesired names result from |
769 inversions or bass notes. | 769 inversions or bass notes. |
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1158 \repeat unfold 4 { f16. g32 } f8. es16 d8 es | 1158 \repeat unfold 4 { f16. g32 } f8. es16 d8 es |
1159 } | 1159 } |
1160 \figures { | 1160 \figures { |
1161 \bassFigureExtendersOn | 1161 \bassFigureExtendersOn |
1162 % The extenders are incorrect here, even though the timing is the same | 1162 % The extenders are incorrect here, even though the timing is the same |
1163 <6 4->4 <6 4->4 | 1163 <6 4->4 <6 4->4 |
1164 <5>8. r16 <6>8 <6\! 5-> | 1164 <5>8. r16 <6>8 <6\! 5-> |
1165 } | 1165 } |
1166 >> | 1166 >> |
1167 @end lilypond | 1167 @end lilypond |
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