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Delta Between Two Patch Sets: Documentation/notation/simultaneous.itely

Issue 320820043: Add a \voicify command (Closed)
Left Patch Set: Created 6 years, 12 months ago
Right Patch Set: Fix stupid blunder/omission Created 6 years, 11 months ago
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1 @c -*- coding: utf-8; mode: texinfo; -*- 1 @c -*- coding: utf-8; mode: texinfo; -*-
2 @ignore 2 @ignore
3 Translation of GIT committish: FILL-IN-HEAD-COMMITTISH 3 Translation of GIT committish: FILL-IN-HEAD-COMMITTISH
4 4
5 When revising a translation, copy the HEAD committish of the 5 When revising a translation, copy the HEAD committish of the
6 version that you are working on. For details, see the Contributors' 6 version that you are working on. For details, see the Contributors'
7 Guide, node Updating translation committishes.. 7 Guide, node Updating translation committishes..
8 @end ignore 8 @end ignore
9 9
10 @c \version "2.19.29" 10 @c \version "2.19.29"
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552 { d''2 } % 3: second-highest 552 { d''2 } % 3: second-highest
553 \\ 553 \\
554 { e'2 } % 4: second-lowest 554 { e'2 } % 4: second-lowest
555 \\ 555 \\
556 { b'2 } % 5: third-highest 556 { b'2 } % 5: third-highest
557 \\ 557 \\
558 { g'2 } % 6: third-lowest 558 { g'2 } % 6: third-lowest
559 >> 559 >>
560 @end lilypond 560 @end lilypond
561 561
562 @funindex \voices
563 When a different voice entry order is desired, the command
564 @code{\voices} may be convenient:
565
566 @lilypond[quote,verbatim]
567 \new Staff \voices 1,3,5,6,4,2 <<
568 \time 2/4
569 { f''2 } % 1: highest
570 \\
571 { d''2 } % 3: second-highest
572 \\
573 { b'2 } % 5: third-highest
574 \\
575 { g'2 } % 6: third-lowest
576 \\
577 { e'2 } % 4: second-lowest
578 \\
579 { c'2 } % 2: lowest
580 >>
581 @end lilypond
582
583
562 @warning{Lyrics and spanners (such as slurs, ties, hairpins, etc.) cannot 584 @warning{Lyrics and spanners (such as slurs, ties, hairpins, etc.) cannot
563 be created @q{across} voices.} 585 be created @q{across} voices.}
564 586
565 @subsubsubheading Identical rhythms 587 @subsubsubheading Identical rhythms
566 588
567 In the special case that we want to typeset parallel pieces of music 589 In the special case that we want to typeset parallel pieces of music
568 that have the same rhythm, we can combine them into a single 590 that have the same rhythm, we can combine them into a single
569 @code{Voice} context, thus forming chords. To achieve this, enclose 591 @code{Voice} context, thus forming chords. To achieve this, enclose
570 them in a simple simultaneous music construct within an explicit voice: 592 them in a simple simultaneous music construct within an explicit voice:
571 593
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1242 >> 1264 >>
1243 } 1265 }
1244 @end lilypond 1266 @end lilypond
1245 1267
1246 @seealso 1268 @seealso
1247 Learning Manual: 1269 Learning Manual:
1248 @rlearning{Organizing pieces with variables}. 1270 @rlearning{Organizing pieces with variables}.
1249 1271
1250 Snippets: 1272 Snippets:
1251 @rlsr{Simultaneous notes}. 1273 @rlsr{Simultaneous notes}.
LEFTRIGHT

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