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1 @c -*- coding: utf-8; mode: texinfo; -*- | 1 @c -*- coding: utf-8; mode: texinfo; -*- |
2 @ignore | 2 @ignore |
3 Translation of GIT committish: FILL-IN-HEAD-COMMITTISH | 3 Translation of GIT committish: FILL-IN-HEAD-COMMITTISH |
4 | 4 |
5 When revising a translation, copy the HEAD committish of the | 5 When revising a translation, copy the HEAD committish of the |
6 version that you are working on. For details, see the Contributors' | 6 version that you are working on. For details, see the Contributors' |
7 Guide, node Updating translation committishes.. | 7 Guide, node Updating translation committishes.. |
8 @end ignore | 8 @end ignore |
9 | 9 |
10 @c \version "2.19.29" | 10 @c \version "2.19.29" |
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552 { d''2 } % 3: second-highest | 552 { d''2 } % 3: second-highest |
553 \\ | 553 \\ |
554 { e'2 } % 4: second-lowest | 554 { e'2 } % 4: second-lowest |
555 \\ | 555 \\ |
556 { b'2 } % 5: third-highest | 556 { b'2 } % 5: third-highest |
557 \\ | 557 \\ |
558 { g'2 } % 6: third-lowest | 558 { g'2 } % 6: third-lowest |
559 >> | 559 >> |
560 @end lilypond | 560 @end lilypond |
561 | 561 |
| 562 @funindex \voices |
| 563 When a different voice entry order is desired, the command |
| 564 @code{\voices} may be convenient: |
| 565 |
| 566 @lilypond[quote,verbatim] |
| 567 \new Staff \voices 1,3,5,6,4,2 << |
| 568 \time 2/4 |
| 569 { f''2 } % 1: highest |
| 570 \\ |
| 571 { d''2 } % 3: second-highest |
| 572 \\ |
| 573 { b'2 } % 5: third-highest |
| 574 \\ |
| 575 { g'2 } % 6: third-lowest |
| 576 \\ |
| 577 { e'2 } % 4: second-lowest |
| 578 \\ |
| 579 { c'2 } % 2: lowest |
| 580 >> |
| 581 @end lilypond |
| 582 |
| 583 |
562 @warning{Lyrics and spanners (such as slurs, ties, hairpins, etc.) cannot | 584 @warning{Lyrics and spanners (such as slurs, ties, hairpins, etc.) cannot |
563 be created @q{across} voices.} | 585 be created @q{across} voices.} |
564 | 586 |
565 @subsubsubheading Identical rhythms | 587 @subsubsubheading Identical rhythms |
566 | 588 |
567 In the special case that we want to typeset parallel pieces of music | 589 In the special case that we want to typeset parallel pieces of music |
568 that have the same rhythm, we can combine them into a single | 590 that have the same rhythm, we can combine them into a single |
569 @code{Voice} context, thus forming chords. To achieve this, enclose | 591 @code{Voice} context, thus forming chords. To achieve this, enclose |
570 them in a simple simultaneous music construct within an explicit voice: | 592 them in a simple simultaneous music construct within an explicit voice: |
571 | 593 |
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1242 >> | 1264 >> |
1243 } | 1265 } |
1244 @end lilypond | 1266 @end lilypond |
1245 | 1267 |
1246 @seealso | 1268 @seealso |
1247 Learning Manual: | 1269 Learning Manual: |
1248 @rlearning{Organizing pieces with variables}. | 1270 @rlearning{Organizing pieces with variables}. |
1249 | 1271 |
1250 Snippets: | 1272 Snippets: |
1251 @rlsr{Simultaneous notes}. | 1273 @rlsr{Simultaneous notes}. |
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