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1 @c -*- coding: utf-8; mode: texinfo; -*- | 1 @c -*- coding: utf-8; mode: texinfo; -*- |
2 @ignore | 2 @ignore |
3 Translation of GIT committish: FILL-IN-HEAD-COMMITTISH | 3 Translation of GIT committish: FILL-IN-HEAD-COMMITTISH |
4 | 4 |
5 When revising a translation, copy the HEAD committish of the | 5 When revising a translation, copy the HEAD committish of the |
6 version that you are working on. For details, see the Contributors' | 6 version that you are working on. For details, see the Contributors' |
7 Guide, node Updating translation committishes.. | 7 Guide, node Updating translation committishes.. |
8 @end ignore | 8 @end ignore |
9 | 9 |
10 @c \version "2.17.6" | 10 @c \version "2.17.25" |
11 | 11 |
12 | 12 |
13 @node Simultaneous notes | 13 @node Simultaneous notes |
14 @section Simultaneous notes | 14 @section Simultaneous notes |
15 | 15 |
16 @lilypondfile[quote,ragged-right,line-width=16\cm]{simultaneous-headword.ly} | 16 @lilypondfile[quote,ragged-right,line-width=16\cm]{simultaneous-headword.ly} |
17 | 17 |
18 Polyphony in music refers to having more than one voice occurring | 18 Polyphony in music refers to having more than one voice occurring |
19 in a piece of music. Polyphony in LilyPond refers to having more | 19 in a piece of music. Polyphony in LilyPond refers to having more |
20 than one voice on the same staff. | 20 than one voice on the same staff. |
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53 notes. | 53 notes. |
54 | 54 |
55 @lilypond[verbatim,quote,relative=2] | 55 @lilypond[verbatim,quote,relative=2] |
56 <a c e>1 <a c e>2 <f a c e>4 <a c>8. <g c e>16 | 56 <a c e>1 <a c e>2 <f a c e>4 <a c>8. <g c e>16 |
57 @end lilypond | 57 @end lilypond |
58 | 58 |
59 Chords may also be followed by articulations, again just like simple | 59 Chords may also be followed by articulations, again just like simple |
60 notes. | 60 notes. |
61 | 61 |
62 @lilypond[verbatim,quote,relative=2] | 62 @lilypond[verbatim,quote,relative=2] |
63 <a c e>1\fermata <a c e>2-> <f a c e>4\prall <a c>8.^| <g c e>16-. | 63 <a c e>1\fermata <a c e>2-> <f a c e>4\prall <a c>8.^! <g c e>16-. |
64 @end lilypond | 64 @end lilypond |
65 | 65 |
66 The notes within the chord themselves can also be followed by articulation | 66 The notes within the chord themselves can also be followed by articulation |
67 and ornamentation. | 67 and ornamentation. |
68 | 68 |
69 @lilypond[verbatim,quote,relative=2] | 69 @lilypond[verbatim,quote,relative=2] |
70 <a c\prall e>1 <a-> c-^ e>2 <f-. a c-. e-.>4 | 70 <a c\prall e>1 <a-> c-^ e>2 <f-. a c-. e-.>4 |
71 <a-+ c-->8. <g\fermata c e\turn>16 | 71 <a-+ c-->8. <g\fermata c e\turn>16 |
72 @end lilypond | 72 @end lilypond |
73 | 73 |
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160 | 160 |
161 @lilypond[verbatim,quote,relative=2] | 161 @lilypond[verbatim,quote,relative=2] |
162 <a c e>1 q <f a c>2 q | 162 <a c e>1 q <f a c>2 q |
163 @end lilypond | 163 @end lilypond |
164 | 164 |
165 As with regular chords, the chord repetition symbol can be used with | 165 As with regular chords, the chord repetition symbol can be used with |
166 durations, articulations, markups, slurs, beams, etc. as only the | 166 durations, articulations, markups, slurs, beams, etc. as only the |
167 pitches of the previous chord are duplicated. | 167 pitches of the previous chord are duplicated. |
168 | 168 |
169 @lilypond[verbatim,quote,relative=2] | 169 @lilypond[verbatim,quote,relative=2] |
170 <a c e>1\p^"text" q2\<( q8)[-| q8.]\! q16-1-2-3 q8\prall | 170 <a c e>1\p^"text" q2\<( q8)[-! q8.]\! q16-1-2-3 q8\prall |
171 @end lilypond | 171 @end lilypond |
172 | 172 |
173 The chord repetition symbol always remembers the last instance of | 173 The chord repetition symbol always remembers the last instance of |
174 a chord so it is possible to repeat the most recent chord even if | 174 a chord so it is possible to repeat the most recent chord even if |
175 other non-chorded notes or rests have been added since. | 175 other non-chorded notes or rests have been added since. |
176 | 176 |
177 @lilypond[verbatim,quote,relative=2] | 177 @lilypond[verbatim,quote,relative=2] |
178 <a c e>1 c'4 q2 r8 q8 | | 178 <a c e>1 c'4 q2 r8 q8 | |
179 q2 c, | | 179 q2 c, | |
180 @end lilypond | 180 @end lilypond |
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1015 } | 1015 } |
1016 | 1016 |
1017 << | 1017 << |
1018 \new Staff { \instrumentOne } | 1018 \new Staff { \instrumentOne } |
1019 \new Staff { \instrumentTwo } | 1019 \new Staff { \instrumentTwo } |
1020 \new Staff { \partcombine \instrumentOne \instrumentTwo } | 1020 \new Staff { \partcombine \instrumentOne \instrumentTwo } |
1021 >> | 1021 >> |
1022 @end lilypond | 1022 @end lilypond |
1023 | 1023 |
1024 | 1024 |
1025 @subsubsubheading Using \partcombine with lyrics | |
1026 | |
1027 @cindex \partcombine and lyrics | |
1028 | |
1029 The @code{\partcombine} command is not designed to work with | |
1030 lyrics; if one of the voices is explicitly named in order to | |
1031 attach lyrics to it, the partcombiner will stop working. However, | |
1032 this effect can be achieved using a @code{NullVoice} context. See | |
1033 @ref{Polyphony with shared lyrics}. | |
1034 | |
1035 | |
1025 @snippets | 1036 @snippets |
1026 | 1037 |
1027 @lilypondfile[verbatim,quote,texidoc,doctitle] | 1038 @lilypondfile[verbatim,quote,texidoc,doctitle] |
1028 {combining-two-parts-on-the-same-staff.ly} | 1039 {combining-two-parts-on-the-same-staff.ly} |
1029 | 1040 |
1030 @lilypondfile[verbatim,quote,texidoc,doctitle] | 1041 @lilypondfile[verbatim,quote,texidoc,doctitle] |
1031 {changing-partcombine-texts.ly} | 1042 {changing-partcombine-texts.ly} |
1032 | |
1033 @lilypondfile[verbatim,quote,texidoc,doctitle] | |
1034 {using-partcombine-with-lyrics.ly} | |
Trevor Daniels
2013/07/16 07:12:13
No. This is too long and too much of a hack to
be
| |
1035 | 1043 |
1036 @seealso | 1044 @seealso |
1037 Music Glossary: | 1045 Music Glossary: |
1038 @rglos{a due}, | 1046 @rglos{a due}, |
1039 @rglos{part}. | 1047 @rglos{part}. |
1040 | 1048 |
1041 Notation Reference: | 1049 Notation Reference: |
1042 @ref{Writing parts}. | 1050 @ref{Writing parts}. |
1043 | 1051 |
1044 Snippets: | 1052 Snippets: |
1045 @rlsr{Simultaneous notes}. | 1053 @rlsr{Simultaneous notes}. |
1046 | 1054 |
1047 Internals Reference: | 1055 Internals Reference: |
1048 @rinternals{PartCombineMusic}, | 1056 @rinternals{PartCombineMusic}, |
1049 @rinternals{Voice}. | 1057 @rinternals{Voice}. |
1050 | 1058 |
1051 @knownissues | 1059 @knownissues |
1052 The @code{\partcombine} command can only accept two voices. | 1060 All @code{\partcombine@dots{}} functions can only accept two voices. |
Trevor Daniels
2013/07/16 07:12:13
Leave the text as it was originally, but add somet
| |
1053 | 1061 |
1054 @code{\partcombine@dots{}} functions cannot be placed inside a @code{\tuplet} | 1062 @code{\partcombine@dots{}} functions cannot be placed inside a @code{\tuplet} |
1055 or @code{\relative} block. | 1063 or @code{\relative} block. |
1056 | 1064 |
1057 If @code{printPartCombineTexts} is set and the two voices play the same | 1065 If @code{printPartCombineTexts} is set and the two voices play the same |
1058 notes @qq{on and off}, in the same measure, the part combiner may | 1066 notes @qq{on and off}, in the same measure, the part combiner may |
1059 typeset @code{a2} more than once in that measure. | 1067 typeset @code{a2} more than once in that measure. |
1060 | 1068 |
1061 @code{\partcombine} only knows when a note starts in a @code{Voice}; it | 1069 @code{\partcombine} only knows when a note starts in a @code{Voice}; it |
1062 cannot, for example, remember if a note in one @code{Voice} has already | 1070 cannot, for example, remember if a note in one @code{Voice} has already |
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1189 >> | 1197 >> |
1190 } | 1198 } |
1191 @end lilypond | 1199 @end lilypond |
1192 | 1200 |
1193 @seealso | 1201 @seealso |
1194 Learning Manual: | 1202 Learning Manual: |
1195 @rlearning{Organizing pieces with variables}. | 1203 @rlearning{Organizing pieces with variables}. |
1196 | 1204 |
1197 Snippets: | 1205 Snippets: |
1198 @rlsr{Simultaneous notes}. | 1206 @rlsr{Simultaneous notes}. |
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