OLD | NEW |
1 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*- | 1 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*- |
2 @c vim: foldmethod=marker | 2 @c vim: foldmethod=marker |
3 @ignore | 3 @ignore |
4 Translation of GIT committish: 4ca01b6da8d60b0d8575be05ae974429c91becd5 | 4 Translation of GIT committish: 4ca01b6da8d60b0d8575be05ae974429c91becd5 |
5 | 5 |
6 When revising a translation, copy the HEAD committish of the | 6 When revising a translation, copy the HEAD committish of the |
7 version that you are working on. For details, see the Contributors' | 7 version that you are working on. For details, see the Contributors' |
8 Guide, node Updating translation committishes.. | 8 Guide, node Updating translation committishes.. |
9 @end ignore | 9 @end ignore |
10 | 10 |
11 @c \version "2.14.0" | 11 @c \version "2.15.10" |
12 | 12 |
13 @node Notación antigua | 13 @node Notación antigua |
14 @section Notación antigua | 14 @section Notación antigua |
15 @translationof Ancient notation | 15 @translationof Ancient notation |
16 | 16 |
17 @lilypondfile[quote]{ancient-headword.ly} | 17 @lilypondfile[quote]{ancient-headword.ly} |
18 | 18 |
19 @cindex Vaticana, Editio | 19 @cindex Vaticana, Editio |
20 @cindex Medicaea, Editio | 20 @cindex Medicaea, Editio |
21 @cindex hufnagel | 21 @cindex hufnagel |
(...skipping 2577 matching lines...) Expand 10 before | Expand all | Expand 10 after Loading... |
2599 \new Staff << | 2599 \new Staff << |
2600 \new Voice = "melody" \chant | 2600 \new Voice = "melody" \chant |
2601 \new Lyrics = "one" \lyricsto melody \verba | 2601 \new Lyrics = "one" \lyricsto melody \verba |
2602 >> | 2602 >> |
2603 \layout { | 2603 \layout { |
2604 \context { | 2604 \context { |
2605 \Staff | 2605 \Staff |
2606 \remove "Time_signature_engraver" | 2606 \remove "Time_signature_engraver" |
2607 \remove "Bar_engraver" | 2607 \remove "Bar_engraver" |
2608 \override Stem #'transparent = ##t | 2608 \override Stem #'transparent = ##t |
| 2609 \override Flag #'transparent = ##t |
2609 } | 2610 } |
2610 } | 2611 } |
2611 } | 2612 } |
2612 @end lilypond | 2613 @end lilypond |
2613 | 2614 |
2614 Esto funciona bien en la medida en que el texto no comprenda un salto | 2615 Esto funciona bien en la medida en que el texto no comprenda un salto |
2615 de línea. Si es el caso, una alternativa sería añadir notas ocultas a | 2616 de línea. Si es el caso, una alternativa sería añadir notas ocultas a |
2616 la partitura, en combinación con cambios en la visibilidad de las | 2617 la partitura, en combinación con cambios en la visibilidad de las |
2617 plicas: | 2618 plicas: |
2618 | 2619 |
2619 | 2620 |
2620 @lilypond[verbatim,ragged-right] | 2621 @lilypond[verbatim,ragged-right] |
2621 \include "gregorian.ly" | 2622 \include "gregorian.ly" |
2622 chant = \relative c' { | 2623 chant = \relative c' { |
2623 \clef "G_8" | 2624 \clef "G_8" |
2624 \set Score.timing = ##f | 2625 \set Score.timing = ##f |
2625 c\breve \override NoteHead #'transparent = ##t c c c c c | 2626 c\breve \override NoteHead #'transparent = ##t c c c c c |
2626 \revert NoteHead #'transparent | 2627 \revert NoteHead #'transparent |
2627 \override Stem #'transparent = ##f \stemUp c4 b4 a | 2628 \override Stem #'transparent = ##f \stemUp c4 b4 a |
2628 \override Stem #'transparent = ##t c2 c4 \divisioMaior | 2629 \override Stem #'transparent = ##t |
| 2630 \override Flag #'transparent = ##t c2 c4 \divisioMaior |
2629 c\breve \override NoteHead #'transparent = ##t c c c c c c c | 2631 c\breve \override NoteHead #'transparent = ##t c c c c c c c |
2630 \revert NoteHead #'transparent c4 c f, f \finalis | 2632 \revert NoteHead #'transparent c4 c f, f \finalis |
2631 } | 2633 } |
2632 | 2634 |
2633 verba = \lyricmode { | 2635 verba = \lyricmode { |
2634 No -- ctem qui -- e -- tam et fi -- nem per -- fec -- tum | 2636 No -- ctem qui -- e -- tam et fi -- nem per -- fec -- tum |
2635 con -- ce -- dat no -- bis Do -- mi -- nus om -- ni -- po -- tens. | 2637 con -- ce -- dat no -- bis Do -- mi -- nus om -- ni -- po -- tens. |
2636 } | 2638 } |
2637 | 2639 |
2638 \score { | 2640 \score { |
2639 \new Staff << | 2641 \new Staff << |
2640 \new Voice = "melody" \chant | 2642 \new Voice = "melody" \chant |
2641 \new Lyrics \lyricsto "melody" \verba | 2643 \new Lyrics \lyricsto "melody" \verba |
2642 >> | 2644 >> |
2643 \layout { | 2645 \layout { |
2644 \context { | 2646 \context { |
2645 \Staff | 2647 \Staff |
2646 \remove "Time_signature_engraver" | 2648 \remove "Time_signature_engraver" |
2647 \override BarLine #'transparent = ##t | 2649 \override BarLine #'transparent = ##t |
2648 \override Stem #'transparent = ##t | 2650 \override Stem #'transparent = ##t |
| 2651 \override Flag #'transparent = ##t |
2649 } | 2652 } |
2650 } | 2653 } |
2651 } | 2654 } |
2652 @end lilypond | 2655 @end lilypond |
2653 | 2656 |
2654 Otra situación común es la transcripción de cantos neumáticos o | 2657 Otra situación común es la transcripción de cantos neumáticos o |
2655 melismáticos, es decir, cantos con un número variable de notas en cada | 2658 melismáticos, es decir, cantos con un número variable de notas en cada |
2656 sílaba. En este caso, podemos establecer los grupos de sílabas | 2659 sílaba. En este caso, podemos establecer los grupos de sílabas |
2657 claramente separados, normalmente también las subdivisiones de un | 2660 claramente separados, normalmente también las subdivisiones de un |
2658 melisma mayor. Una forma de conseguirlo es usar un @code{\time} fijo, | 2661 melisma mayor. Una forma de conseguirlo es usar un @code{\time} fijo, |
(...skipping 30 matching lines...) Expand all Loading... |
2689 \new Staff << | 2692 \new Staff << |
2690 \new Voice = "chant" \spiritus | 2693 \new Voice = "chant" \spiritus |
2691 \new Lyrics = "one" \lyricsto "chant" \spirLyr | 2694 \new Lyrics = "one" \lyricsto "chant" \spirLyr |
2692 >> | 2695 >> |
2693 \layout { | 2696 \layout { |
2694 \context { | 2697 \context { |
2695 \Staff | 2698 \Staff |
2696 \remove "Time_signature_engraver" | 2699 \remove "Time_signature_engraver" |
2697 \override BarLine #'X-extent = #'(-1 . 1) | 2700 \override BarLine #'X-extent = #'(-1 . 1) |
2698 \override Stem #'transparent = ##t | 2701 \override Stem #'transparent = ##t |
2699 \override Flag #'transparent = ##t | 2702 \override Flag #'transparent = ##t |
| 2703 \override Flag #'transparent = ##t |
2700 \override Beam #'transparent = ##t | 2704 \override Beam #'transparent = ##t |
2701 \override BarLine #'transparent = ##t | 2705 \override BarLine #'transparent = ##t |
2702 \override TupletNumber #'transparent = ##t | 2706 \override TupletNumber #'transparent = ##t |
2703 } | 2707 } |
2704 } | 2708 } |
2705 } | 2709 } |
2706 @end lilypond | 2710 @end lilypond |
2707 | 2711 |
2708 @c extract from 1.6.1.1 | 2712 @c extract from 1.6.1.1 |
2709 | 2713 |
(...skipping 34 matching lines...) Expand 10 before | Expand all | Expand 10 after Loading... |
2744 @c style). The editor might want to show that rythmic figure above the | 2748 @c style). The editor might want to show that rythmic figure above the |
2745 @c staff as an hint to performers. (Karl Hammer) | 2749 @c staff as an hint to performers. (Karl Hammer) |
2746 | 2750 |
2747 | 2751 |
2748 Continuará... | 2752 Continuará... |
2749 | 2753 |
2750 | 2754 |
2751 @c @seealso | 2755 @c @seealso |
2752 @c ... and reference to other sections ... | 2756 @c ... and reference to other sections ... |
2753 | 2757 |
OLD | NEW |